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Digital Media Projects
This page serves as an archive to highlight some multimedia projects I worked on either individually or collaboratively during my Digital Media: Education MA at UCL.
"The weeds and I"
This is a poem I wrote and digitized in this video with experimentations in typography and sound. The soundscaping is composed from a various snippets from my personal archives captured from different urban settings and parks I have traveled to ranging from London to Mexico City to Dublin to New York City.
"Tying the Knot"
In collaboration with Anna Lunday
With the prevalent discourse from the #MeToo movement to the male loneliness epidemic and manosphere, this stop motion animation primarily utilizes a split screen to visualize the social construction of gender and the harmful impacts of patriarchy under late stage capitalism. Drawing inspiration from Emily Martin's egg and sperm piece as a departure point, we challenge the socialization and projection of gender norms at conception. We start with the egg and sperm in the beginning as the gender binarization/increasingly entangled socialization starts to form and return to it in the end by showing the reinforcement of the binary and its consequences (the female protagonist is giving testimony in a trial for sexual assault/rape and the male protagonist/his peers are headed to war).
The entangled rope is a recurring motif, and by the end it is such a mess that it cannot be simply pulled apart and unlearned, which also inspired our title “tying the knot” to not only reference this central metaphor but to also act as a double entendre and refer to a colloquial phrase used to denote the act of getting married. We conclude the animation with the protest sign that goes from saying “Down with the patriarchy!” to directly ask the audience “Are you down with the patriarchy?” (Are you complicit with systemic oppression or will you fight it?).
All elements featured in the video were handmade.
00:00 / 01:57
"Escape from the Stork Corporation Factory"
In collaboration with Malak Hawashin, Kaycee Padayachy, Idil Inci
In this podcast episode, we use voiceover and layered sounds to create atmosphere and narrative. The dystopian future reimagines a world in which human women have been completely removed from the public domain of society to operate as reproductive livestock while human men parade around AI wives as their trophies.




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"Saudade"
In collaboration with Tuoxi Wu, Qingzhu Zhou, Yuting Wu
The word “saudade" in Portuguese described a distinct melanchoic yearning for something that cannot exist in the present moment. While I had likely encountered this word before in my life as a concept, it was not until I uprooted my entire life to move to London in 2025—a place I had first encountered in 2020—that I grasped this distinct feeling of nostalgia from a lived experience standpoint, longing for a version of myself that no longer exists, an ex-partner I don’t speak to anymore, a beloved diner that had to close down during COVID, etc., and a time in my life where everything still felt endless with possibility.
In this final film for the Moving Image Production module, my coursemates and I sought to capture the distinct loneliness felt in the urban landscape as people try to reconcile who they were in their past life and who they are becoming in their new one.
Link to film
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